Beyond Treason (2005)

This extremely powerful 89 minute film presents comprehensive documentation from United States Government archives of a massive cover-up, including military and civilian experimentation, dating back over 60 years. As ailing Gulf War Heroes from all 27 coalition countries slowly die of “unknown causes,” they wait for answers from their respective governments, but no satisfying or even credible answers have come forth from the military establishment.

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American Coup (2010)

AMERICAN COUP tells the story of the first coup ever carried out by the CIA – Iran, 1953. Explores the blowback from this seminal event, as well as the coup’s lingering effects on the present US-Iranian relationship. Includes a segment on the 1979 Iranian Hostage Crisis and its relation to the 1953 coup. Concludes with a section on the recent Iranian presidential election. Contains interviews with noted Middle East experts and historians and prominent public figures such as Stephen Kinzer (author, All The Shah’s Men), Prof. Ervand Abrahamian, Trita Parsi, Col. Lawrence Wilkerson, Ted Koppel and Rep. Ron Paul of Texas. With Iranian cinematography by James Longley.

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Why We Fight (2006)

Since World War II, the United States has been almost constantly involved in combat, active participants in a string of wars fought entirely on foreign shores. Eugene Jarecki’s documentary examines this phenomenon outside of partisan bickering, thoughtfully exploring what Eisenhower called “the business of war.” Speaking to veterans of wars in Vietnam and Iraq, as well as military experts and journalists, the film discusses defense spending, foreign policy and the military-industrial complex.

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The Revolution Will Not Be Televised (2003)

In April 2002, the democratically elected Venezuelan president, Hugo Chavez, faces a coup d’état by an American-backed opposition party. The two-day coup fails to topple Chávez, but the tumultuous event proves to be great dramatic material for two Irish filmmakers who happen to be making a documentary about Chavez as the coup erupts. They capture footage of the massive opposition and pro-Chavez crowds and analyze how Venezuelan TV manipulated images for propaganda purposes.

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Iraq For Sale (2006)

After purchasing influence in the halls of Congress, private interests such as Halliburton have been awarded lucrative no-bid contracts. Meanwhile, on the ground, these corporations employ questionable practices that endanger the lives of both American soldiers and Iraqis. The film asks the question, when war becomes a business, what incentive is there to end it?

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